WALL
"Remake the Braid to Trace the Picture" - (Part 1) Framed Collage with Foam Board, Resin, Ink and Animation Clay - (2nd Part) Foam Board, Resin, Ink, Animation Clay and Glazed Ceramic attached directly to gallery wall - 41'' X 13''

WALL

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“Wall Binder” – Binder Clips, Foam Core, Resin, Ink, Pen on Paper, Marker, Foil, Plastic Sleeves – 22X30 inches – 2016

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“Interlocking Negative Bodies” – Foam Core, Resin, Ink – 27X21 inches – 2016

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"Piss Piss Piss Piss" - Wooden Dowels, Foam Board, Resin, Ink, Pencil, Gouache, Dead Vibrating Bullets Extinguished by Stevie Hanley, Daniel Luedtke and Jess Buns - 39'' X 60'' X 8''

 

“Piss Piss Piss Piss” – Wooden Dowels, Foam Board, Resin, Ink, Pencil, Gouache, Dead Vibrating Bullets Extinguished by Stevie Hanley, Daniel Luedtke and Jess Buns – 39” X 60” X 8′ – 2015

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“Automatic Thoughts” – Foam Board, Wood, Oil, Gouache, Pencil, Resin, Ink, Dead Vibrating Bullets Extinguished by Ana-Raba, Liz Rosenfeld and Joel Parsons – 57” X 47” – 2015

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"Tracing Thumbnails" - Oil Paint, Paper, Pencil, Toner, Resin on Canvas - 10'' X 14''

“Tracing Thumbnails” – Oil Paint, Paper, Pencil, Toner, Resin on Canvas – 10” X 14” – 2015

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“Tracing Thumbnails” – Oil Paint, Paper, Pencil, Toner, Resin on Canvas – 10” X 14” – 2015

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“Inverse [sic]” – Foam Board, Resin, Ink, Animation Clay, Canvas – 16” by 20” – 2016

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“Every Color Out of Focus” – Oil on Canvas, Foamcore, Resin, Ink, Found Photographs, Plastic, Animation Clay – 14” X 16” – 2017

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“Phoneme IY EH with Key Commands” – Pencil, Ink, Turpentine, Self-Healing Mat, Foam Board, Resin, Ink – 22” by 30” – 2016

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“Windowshade of Negative Bodies” – Foam Board, Resin, Ink, Hardware – 39” by 61” – 2016

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“Curtain of Impliments and Derivative Bodies” – Foam Core, Resin, Ink, Dye, Hardware, Wood, Spraypaint – 10ft X 8ft – 2015

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"Sitting Beside An Unopened Book" - Paper, Watercolor, Gouache, Resin, Ink on Canvas - 32'' X 40''

“Sitting Beside An Unopened Book” – Paper, Watercolor, Gouache, Resin, Ink on Canvas – 32” X 40” – 2015

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"Rose Rub" - Oil, Acrylic, Watercolor, Resin, Ink, Paper on Canvas - 16'' X 22''

“Rose Rub” – Oil, Acrylic, Watercolor, Resin, Ink, Paper on Canvas – 16” X 22” – 2015

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Amazonal Hinge - Acrylic Paint, Wood, Foam Board, Resin, Ink, Screen Printed Paper - 16'' X 29''
Amazonal Hinge – Acrylic Paint, Wood, Foam Board, Resin, Ink, Screen Printed Paper – 16” X 29” – 2014
Amazonal Hinge (back) - Acrylic Paint, Wood, Foam Board, Resin, Ink, Screen Printed Paper
Amazonal Hinge (back) – Acrylic Paint, Wood, Foam Board, Resin, Ink, Screen Printed Paper – 2014

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Shampoo Douche – Wood, Plaster, Glass, Yupo Paper, Resin, Acrylic, Paper Mache – 2014

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Powder Kills Shine - Foam Board, Resin, Ink, Photographs, Wood - 8' X 22'' X 3''

Powder Kills Shine – Foam Board, Resin, Ink, Photographs, Wood – 8′ X 22” X 3” – 2013

Powder Kills Shine (detail)
Powder Kills Shine (detail)

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"E Touch" - Glazed Ceramic, Animation Clay - 18'' X 27''

“E Touch” – Glazed Ceramic, Animation Clay – 18” X 27” – 2015

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"Soft John C. Martin" - .jpg portrait of Gilead Pharmaceuticals CEO John C Martin from www.gilead.com printed on fleece courtesy of Walgreens. - 17'' X 60'' X 3''

“Soft John C. Martin” – .jpg portrait of Gilead Pharmaceuticals CEO John C Martin from www.gilead.com printed on fleece courtesy of Walgreens. – 17” X 60” X 3” – 2015

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“Remake the Braid to Trace the Picture” – (Part 1) Framed Collage with Foam Board, Resin, Ink and Animation Clay – (2nd Part) Foam Board, Resin, Ink, Animation Clay and Glazed Ceramic attached directly to gallery wall – 41” X 13” – 2015

“Remake the Braid to Trace the Picture” (detail)

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danimal

Daniel Luedtke is a self-taught printmaker / artist / musician from Minneapolis MN. His brightly colored, graphicly bold prints utelize geometric abstraction paired with ubsurdist figurative elements that are often inspired by feminist politics, folk art, and kitsch. He got his start printing posters for his band Gay Beast back in 2006 and has since gotten many poster, packaging, and merchandise commissions. After completing a few printmaking residencies in 2008 and 2009 his focus has tended more toward fine-art printmaking, creating larger prints and installations for shows both in the u.s. and abroad.
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